12.18.2013

JOHNNY KNOXVILLE: DETROIT LIVES VIDEO

 

Once the fourth-largest metropolis in America—some have called it the Death of the American Dream. Today, the young people of the Motor City are making it their own DIY paradise where rules are second to passion and creativity. They are creating the new Detroit on their own terms, against real adversity.


In it, Knoxville cruises the streets in a vintage Cadillac convertible talking to various local names -- Slows BBQ owner Phil Cooley and the Dirtbombs' Ko Melina and Zack Weedon among them -- and highlights what's being done to move the city forward -- instead of harping on where the city went wrong. "I can't believe there's nothing positive here, so we came to see what else is going on," the "Jackass" host says in the opening.



Original Post on RK

ROCK PHOTOGRAPHER KEN SETTLE:MOTOWN'S STUDIO B


Ken Settle From the film archives: Many, many years ago, I wanted to go photograph what remained of the old Motown Studio B. Though everyone knows about Motown's "Hitsville" Studio A, relatively few people were familiar with Studio B on Davison near Livernois in Detroit. This was the location of Golden World Records, who had a hit with The Reflections "Just Like Romeo and Juliet." In the mid '60s, Berry Gordy purchased Golden World and turned it into Studio B. This was the place where many of the incredible Motown vocals, horns and strings were overdubbed.

Most pivotal to me, was that Marvin Gaye's vocals for the groundbreaking What's Going On masterpiece were done right here at Studio B. Studio B sat vacant for much of the time after Motown moved to L.A. and has finally been torn down. At the time that I photographed this, you could still see a very weather worn Motown Studio B sign on the side of the battered structure.

I used the old Kodak Recording Film 2475 for this photo, because I wanted the incredibly grainy results that this film gave, along with its extended red sensitivity. I became real interested in that film for a time after I learned that many of the photos of the '67 Detroit riots were shot on this film. It was one of the first high speed (ISO 1000) films ever. Every time I look at this photo, I hear Marvin Gaye singing "Mother, Mother, there's too many of you crying."

STEVE HUNTER'S NEW STRING CHANGE BUDDY!


Steve and Karen Hunter have come up with an invaluable gadget for helping change strings on a Bigsby fitted guitar. 


World-renowned guitarist Steve Hunter, known for his work with Lou Reed and Alice Cooper, was trying to change some strings on one of his Gretsch Guitars. As always there was a good deal of frustration as this is difficult for most people, but even more so for someone like Steve who is partially sighted. Only certain guitars have a Bigsby, most of those are Gretsch but there are other makes of guitars such as Gibson and Fender who use the metal string bending arm attachment.


The main problem is how to hold the eyelet at the end of the new string in place, on the pin of the Bigsby, without it springing off when you go to the other end of the neck to wind on the string. Steve said “There must be a way of holding the string in place, maybe something simple that could be taken in and out easily”. Karen thought that a squishy door wedge shape would do the job.

Knowing Steve used foam speaker positioning wedges in his studio she found a spare one. Karen cut out a wedge to the exact requirements and low and behold! The String Change Buddy was born. Steve still uses that very wedge, with less hassle, less time and less swearing!


Perfecting the idea for production took nearly two years, mainly due to finding the right foam. It needed to be firm enough to push under the metal bar of the Bigsby but also needed to have the right compression and recovery so it could be used many times. Once they had started the process of protecting the design with a patent, all they had to do was find the right manufacturer whom they are proud to say is right here in the USA. The String Change Buddy will not change the world but it will help anybody with a Bigsby fitted guitar to change strings without losing their cool.

12.17.2013

IN MEMORIUM: LEGENDARY BANKER/PRODUCER DON DAVIS

 

Don Davis had his hand in so many famous hit records that I would be here for a week trying to list them.. He worked with Motown but left (thankfully so..) and went on to a career that rivaled Berry Gordy's in every way. The difference, Don stayed under the radar. (can't even find any photos online of him). It would appear that Mr. Davis did not crave attention or fame. Smart move....smart man...



As a young guitarist Don Davis played on many of the earliest Motown sessions, including the hits "Money" and Mary Wells' "Bye Bye Baby." But Hitsville was only the beginning for the writer-producer..


Davis developed his craft with stints at seminal Detroit record labels Northern, Thelma, Golden World, Ric-Tic, Revilot and his own Groovesville imprint. In 1968 he was lured to Memphis to become head of production for Motown's primary soul music competitor, Stax Records.

Billboard magazine honored Davis as its 1976 producer of the year after his records with Johnnie Taylor ("Disco Lady," the first-ever platinum single) and Marilyn McCoo & Billy Davis ("You Don't Have to Be a Star") went to No. 1. Don won so many Grammy Awards...

12.16.2013

DETROIT ROCKS:LENI SINCLAIR-GARY GRIMSHAW BOOK NOW IN PAPERBACK!


"The energy, spirit and daring of those times are encapsulated in Detroit Rocks! like never before. Through the chapters titled The Detroit Artists Workshop, Trans-Love Energies, The Grande Ballroom, The MC5, The White Panther Party, The Free John Now Campaign, The CIA Conspiracy and The Ann Arbor Years . . . this book smokes from beginning to end with information, history & beauty presented in the photographs & text of Leni Sinclair and the mind-boggling eye-popping
posters of the great Gary Grimshaw." - John Sinclair

CRUDDY XXXMAS SATURDAY DEC 28!


Official Cruddy XxXmas poster by Robert 'Nix' Nixon
We will have some of these for sale at the show — at Diesel Concert Lounge.

THE TORPEDOS: NO REFILL INTERVIEW BY RICKY RAT

Guitarist Robert Gillespie kicks back and pours another vodka, playing the charming host in his sprawling Pleasant Ridge home. It’s a spacious rock ’n’ roll mansion of sorts — guitars, books and records are scattered amid leopard-print rugs and throw pillows. The basement is jammed with musical gear, ready for impromptu drunken jams.
Gillespie has a casual star quality. He plays in the super-group Power Train as well as with Mitch Ryder (since 1983).
Today, however, he’s talking about his “favorite band.” They were called the Torpedos, they were full-on Motown rock ’n’ roll punks, and they debuted in October 1978 at the infamous Bookies 870 club in Detroit.

“Nobody liked us at first,” says Gillespie as he pops in a 1981 video of a Torpedos performance at Harpo’s. He apologizes in advance, saying the tape had no sound. But once it begins playing, it’s obvious that the sound has been mysteriously restored. Perhaps it’s the work of the spirit of vocalist Johnny Angelos, who is front and center on the video. Angelos, the gangster R&B punk, doesn’t just look out from the screen, he jumps and screams out at you. He sounds cocky and cool and he looks fantastic. He would be dead in three years.

Even though the Torpedos released just one single and an EP, both on Brian Williams’ Four Winds Records, which both sold more than 1,000 copies, they left an indelible mark. Thanks to Mike Leshkevich and his homegrown Motor City Music label, the Torpedos can be experienced fresh and new with the release of the band’s first-ever CD, No Refills. Gillespie and Angelos formed the Torpedos in October 1978, fusing their love of classic Motown soul and blues with elements of Heartbreakers and Sex Pistols punk. Gillespie says the Torpedos stood out from an emerging pack of new bands because “we had killer songs and a excellent front man in Johnny, who was like Rod Stewart, but more deviant.” He recalls meeting Angelos “in 1969 down on Plum Street at the Red Roach coffee house when I was 14 years old.”

Although the two played separately in various bands (Angelos in the Mighty Quick and the Amboy Dukes; Gillespie in the Rob Tyner Band), the Torpedos brought out their shared vision of rock ’n’ roll with an attitude. Their fellow Torpedos were drummer Ralph Serafino, bassist Mike Marshall (both Tyner Band alumni) and keyboardist-sax player Tom Curry. All were in their late 20s and comprised, for all intents and purposes, an “east side band,” though Angelos hailed from Dearborn. (Jim Banner’s replacing Marshall in the summer of ’79 was the only lineup change.) Gillespie loved writing songs with Angelos. “He was really spontaneous; words just flew out of his mouth. He played guitar too; he played some on the EP.” Angelos’ notorious battle with drugs (“He loved pills of all kinds.”) was never much of an impediment to the band, Gillespie says. He contributed everything from songwriting to the design of the band’s collision-style punk collage fliers.
 

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