Alice Cooper - "Don't Give Up"
Get It Now: https://alicecooper.lnk.to/DontGiveUp
“Don’t Give Up” is a song about what we’ve all been going through right now and about keeping our heads up and fighting back together. This video wouldn’t have been possible without you - and who knows, you might be in it!
And whatever you do - Don’t Give Up!
Engineers: Al Sutton, Tommy Henriksen, Brian Moncarz, Bob Ezrin, Diego Diaz & Julian Shank
Mixed by Bob Ezrin, Brian Moncarz & and Julian Shank
Recorded at Rust Belt Studios, Royal Oak MI and
Solid Rock Studio, Phoenix AZ;
Mixed at Anarchy Studios, Nashville, Hapy Hipi Studios, King City, ON & Casa Cooper, Phoenix, AZ
Directed by Frank Gryner (http://FrankGryner.com)
#AliceCooper #DontGiveUp #Rock
Songwriter/Guitarist Tom Guerra
“Sudden Signs of Grace” is the fourth solo album from songwriter/guitarist Tom Guerra, following the success of “American Garden” (2018), “Trampling out the Vintage” (2016) and “All of the Above” (2014). After a recent experience crafting music for The Yardbirds, Guerra got back to writing songs for himself.
According to Pete Prown, music editor for Vintage Guitar magazine, “With his previous albums, Tom established himself as a fine rock and roll guitarist… ‘Sudden Signs of Grace’ shows his growth and new direction as a songwriter steeped in the Laurel Canyon school of songwriting.“
“Sudden Signs of Grace” contains nine new original tunes including the single "Lover's Time," and two covers: “Streets of Baltimore” as popularized by Gram Parsons, and “Gimme Some Water,” an early Eddie Money composition.
Said Guerra about his late friend Money “When I heard Eddie was sick, I recorded one of my favorite tunes of his and sent him a copy.” Former MTV VJ Martha Quinn, Money's longtime friend, also gave Tom's version a thumbs up.
Longtime collaborator Kenny Aaronson (bassist for Bob Dylan, George Harrison, etc.) said "Tom is a great songwriter. He has great pop sensibilities, and I really like his way of crafting a melody. He is a sensitive and keen observer of the human condition as one will hear in his lyrics."
Several tracks on the new album are tight, 3-minute songs recalling the lyrical and melodic creativity of Tom Petty, one of Guerra’s favorite songwriters. “I always loved Tom Petty’s economical approach to writing and try to live by his mantra of ‘Don’t bore us, get to the chorus’ on these songs.”
Other tracks, including “It’s All in the Skies” and “Just Like the Sun” were inspired by Guerra’s love of nature. “Just Like the Sun” (featuring former Queen/Mott the Hoople pianist Morgan Fisher) begins as a ballad then blasts off into a powerful rocker. The title track, a compact stunner, was written after Guerra heard a preacher proclaiming, “we’re all looking for sudden signs of grace.” They may just find it in this song and in this album.
Recorded prior to the Covid-19 worldwide pandemic, Guerra felt compelled to release it now because “people need music, especially during times like these.” - Peter Gerstenzang, Writer, NY Times
Johnny Bee Badanjek did some hot drumming on Alice Cooper's new EP "Bread Crumbs" and gave us a Bee review tonight! Thanks John! xoK
Johnny Bee: Someone told me that producer Bob Ezrin was trying to get in touch with me. When I came home there was a message from Bob saying to give him a call. I called him back. He was sitting in LA in a Hotel Room with Alice Cooper. He asked me If I knew of any good drummers in town, I said, I knew hundreds. But, there's only one who has that Detroit sound...that would be me.
They both cheered. He spoke of an upcoming project with Alice that dealt with his roots in Detroit that would include Mark Farner. I said, cool! He wanted to mix things up with players and add a little soul with Rock & Roll.
He said he wanted a solid soulful funky Bass player. I answered, Paul Randolph. Next, he wanted a young hot lead guitar player, I told him his name was Garrett Bielaniec. The final piece was Amp Fiddler, unfortunately, Amp was stranded in England. We also had Nolan Young on Saxophone and Allen Dennard Jr. on Trumpet.
The session was rounded out with Bobby Emmet (Sturgill Simpson) and Bob Ezrin on Keyboards. The fun began with the song selections.
Up first was a song I recorded when I was fifteen years old in Mitch Ryder And The Detroit Wheels. Bob took Shorty Long's version of "Devil With A Blue Dress On" back to the original version (which we adored). and mashed it up The Dirt Bombs version of J.J. Barnes "Chains Of Love.'
Next, a song from a prolific teenager named Bob Seger, the classic "East Side Story," Some of the surprises was the re-working of Alice's "Detroit City" and the collaboration of Alice and Brother Wayne on "Go Man Go."
The Detroit train kept rolling with Suzy Quarto's song "Your Mama Won't Like Me," and finished off with Badass Fred Sonic Smith's song "Sister Anne" (MC5). And this is how Breadcrumbs came to be. It's great having Alice back home!...you can never leave Detroit!
Ann Arbor, Michigan’s Hoozebeth is living proof that rock’s reckless roots are alive and kicking in an age where “hook and chorus” pop seems to rule the airwaves. Their neo-vintage sound pays homage to the raw elements of early rock while pushing to explore the energy of their own distinct voice. Since it’s inception in 2011, the band has been creating a buzz locally and is poised to challenge the music scene with their innovative direction.
Hoozebeth is fronted by raspy vocalist Shay Allen, with guitarists Karl Tek and Scott Allen creating the melodic leads. Bassist Unkle Raja and drummer AJ Kahn lay down the rhythmic core to complete the sound.
Contributing DRNRM editor, famed Radiobirdman guitarist, and brother of Hoozebeth guitarist Karl Tek shared this brotherly Q&A today...
Contributing DRNRM editor, famed Radiobirdman guitarist, and brother of Hoozebeth guitarist Karl Tek shared this brotherly Q&A today...
Deniz: What are your main influences as a guitarist and songwriter?
Karl: When I first started playing I was really influenced by Jimi Hendrix, loved it. His music really motivated me to learn some of his songs and also just to try to play along with his recordings even when I didn’t really know how to play the guitar. Later on, I got into Van Halen, The Stooges, Alice Cooper, the Stones and your music of course. I was really into Blue oyster Cult too.
Deniz: What are you listening to these days? Has this changed much over the years?
Karl: I still like most of the bands I grew up with some exceptions. I still often listen to old blues and surf music too. I like listening to more obscure cuts lately. I suppose since you can hear anything and everything these days all the time.
Deniz: You have a new album out, of all original music. In this age of digital streaming, some say albums are obsolete. Why make an album in 2019?
Karl: Well, Hoozebeth started as a cover band and we wanted to create something original. Something we could hand to our friends and family.
Karl: So many kids these days have great technical ability and can play very complex stuff. What I’ve seen lacking with some kids these days is the ability to improvise at the moment and to play without a plan.
For instance, try sitting down with some music you like and try to make sounds on the guitar that go with it. Like humming or dancing. That may seem like unsophisticated way to practice but it can be a useful tool to play more naturally.
Deniz: What challenges is the band facing going forward, and how do you plan to meet those challenges?
Karl: Time! We are all really busy. The other members play in one or two other bands. I have my own business to run and actually play the least in terms of performing. AJ (drummer) is a dentist and plays in the Memphis Thrillbillies with Shay (singer) and Scott (guitarist). Roger (bassist) is busy with various musical pursuits and other commitments also.
Deniz: You are from the Ann Arbor / Detroit area. What does it mean to you and your band to be rock musicians in the context of this rich heritage?
Karl: It’s great to be here in the midst of this great rock ’n roll culture. We all contribute to writing music and our songs reflect that. Our sound is unlike anything else I’ve seen out there. I think people will appreciate that.
It's a Twister
Waiting for You
I Don't Care
Who Is Beth?
On with the Show
Crash and Burn
Leave Me Alone
Atomic Bitch (Because I Can)
Hoozebeth is playing a free album launch concert on Oct 5th at Ann Arbor’s “Live” nightclub !!! Their self titled album will be available at the show or via Amazon. Event info on Facebook
Bob Seger photo: Tom Weschler
Just received this book and it is gorgeous! Packed full of Tom Weschler's behind the scenes photos and written with great care for proper detail. A must-have for all the legions of Seger fans out there!
The book offers a detailed, unbiased and accurate account of Seger's life and career as a true rock legend, with Tom Weschler (Bob's former road manager) providing the book's forward. Turn the Page, follows Bob from his earliest days emerging out of the Detroit music scene, just as fellow artists Kid Rock and Glenn Frey, up through, and including, his current 2019 national tour "Roll Me Away, the Final Tour."
It tracks Seger's entire music career, including the Silver Bullet Band - comparing the songs and stage shows, similar to Tom Petty and The Heartbreakers, and Bruce Springsteen's E-street Band.
The book features inside stories, interviews, Bob's composing, band personnel, recording sessions, tours, and his very private personal life. Turn the Page is a "must" for any true Bob Seger fan. This is the only Bob Seger biography written to date, with over 280 pages, 24 in color with over 60 images, and 224 documented footnotes. Many of the color images are from the distant past, including very rare photos - as a poster advertising a Seger concert headlining John Lennon.
The author, Edward Sarkis Balian, Ph.D. grew up in Detroit and was in a local band at the same time as Seger; in fact, they shared the same Detroit entertainment attorney for over four decades. Balian, himself a recording musician (the George-Edwards Group), put together Turn the Page with a steady eye toward accuracy and quality, in his words "Turn the Page summarizes the brilliant and astonishing career of a true Hall of Fame composer and entertainer.
Purchase your copy today!
Seger's body of over 50 years of work, coupled to his love of music and an almost unbelievable tenacity, led him to well-deserved fame and fortune. A career full of major challenges - a rock'n'roll roller-coaster to be sure." Balian is donating 30% of his royalties to charity, 50% to the Seger's favorite charity, Oakland County Children's Village. Visit https://bobsegerturnthepage.com for more info.
A few years ago, Deniz Tek was asked to go to Sugar Hill Studios in Houston, Texas and record a new version of the 1965 hit “Treat Her Right” with Roy Head. The version was true to the original in many ways. Andy “Mort” Bradley engineered and produced the session.
Now, the updated version of “Treat Her Right” is featured in the film trailer for the new Quentin Tarantino film “Once Upon A Time in Hollywood”
We here at DRNRM are thrilled with Tarantino's use of our Detroit Rock Icons in his film. Makes Tarantino cred even cooler in the D.
We were thrilled to find out Deniz Tek was on the new track of "Treat Her Right" and graciously he was on hand to take us behind the scenes at that session with Roy Head:
Deniz Tek photo by Anne Tek
Deniz Tek: Roy Head is Still Treatin' 'Em Right
Legendary recording engineer Andy “Mort” BradleyAndy “Mort” Bradley was Radio Birdman’s soundman in 1977, before pursuing a career as a recording engineer and producer. He became chief engineer and owner at historic Sugar Hill Studios in Houston Texas - the oldest continually operating recording studio in America, and home to countless legendary recording stars. Lightnin’ Hopkins, Johnny Winter, ZZ Top, The 13th Floor Elevators, Doug Sahm. Archie Bell, Willie Nelson, The Stones, and The Who to name only a few.
Roy Head and the Traits
Back in 1965, Roy Head and the Traits recorded their monumental international hit “Treat Her Right” at Sugar Hill.
After receiving several Grammy nominations and making over 1000 albums, Andy decided to write a book to celebrate the studio’s 70th anniversary. Entitled “House Of Hits”, and published by the University of Texas Press, the fascinating story recounts the history of Sugar Hill.
To coincide with the book’s release, he compiled a double CD compilation of Sugar Hill recordings, many of which were re-recorded for the project with any of the original artists who were still alive and kicking.
One of these artists was Roy Head, and the task was to re-record “Treat Her Right” with Roy and the original bass player and songwriter Gene Kurtz.
I flew down to Houston to play guitar on the session, along with the extraordinary Houston drummer Stefanie Friedman, from the band Sugar Shack, and horn players from The Suspects.
The session for the backing track took place in Studio B with Gene Kurtz on bass, myself, and Stefanie on drums. Andy engineered and produced the session. We recorded the track live, under Gene’s guidance. He was very particular about how things should go. It turned out that I’d been playing the riff a little bit differently than the original for all those years, and I had to unlearn and relearn it on the spot. Gene said that the tempo had to be exact, and he had a little meter to measure the beats per minute to make sure that it was right on.
At least I was given the freedom to improvise the solos, and Stefanie killed on the drums! We were both a bit stressed, to say the least, being in the presence and under the direction of such greatness. But it all paid off.
Next, Roy arrived with his stunning wife. In his 70’s, he has not slowed down a bit, able to do backflips like a gymnast and dance like nobody else. In the riverboat casinos down around Shreveport where he was playing around then, he and Gene were still knocking out crowds with their high energy performances. Roy’s reputation as a wild man is well-founded. He was kicked off a James Brown tour for “being too wild” and for upstaging The Godfather of Soul (!). Legend has it that Elvis went to his grave bearing a scar on his ankle from Roy’s teeth marks.
Roy listened to the playback, and, Lord have mercy, he liked the track. He hung out in the control room while the horn players did their thing. Then Roy went out into the studio and sang his heart out. More gruff, perhaps, and deeper than in the ’60s, but the Voice has lost none of its power. In fact it has gained power. The screams, hey’s, and raw passion in that voice are almost scary. Seeing and hearing that go down on tape was a peak moment. “Living legend” is a word used too carelessly these days. This is one time that it fits.
The next day we had breakfast with Roy, and he told us some fascinating stories from the old days. We got along pretty well and he invited me out to his hunting camp. I have yet to take up that offer.
Now, Roy’s original track for “Treat Her Right” has been selected as the opening music on the soundtrack for Quentin Tarantino’s “Once Upon A Time in Hollywood”, while the version that we recorded is being used in the TV trailer for the movie. I am just super pleased to have been able to help make that recording and to meet and work with the great Roy Head. Thank you to my dear lifelong friend, Andy Bradley for making that (and so many other amazing things) happen. Deniz Tek
★Deniz Tek, from Ann Arbor, Michigan, is a proliﬁc guitarist, singer and songwriter currently based in Sydney, Australia. His career in music, grounded in late-60's Detroit, extends through several decades and across continents. He is best known as a founding member of the inﬂuential Australian independent rock band Radio Birdman.
In 2007, Deniz was inducted into the Australian Music Hall of Fame, and in 2012 was voted number 7 in the top 100 Australian guitarists of all time.★
I’m with the Band: Detroit’s Musicians Show Their Visual Side
Curated by Jeff Cancelosi
Is there a difference between the interplay of color and shadow and the bending of a note over a percussive beat? For many in Detroit’s creative community, visual and musical art are the same. Creativity is expression, no matter what the medium.
Please join the Detroit Artists Market as we explore the artwork of Detroit’s rockers, rappers, and jazz musicians and how they each respond to the blank canvas.
Adeboye Adegbenro (Odu Afrobeat Orchestra)
Johnny Bee Badanjek (Mitch Ryder and the Detroit Wheels, Edgar Winter, The Rockets, Alice Cooper, Dr. John, Albert King, Nils Lofgren, The Romantics)
Thelonious Bone (Everybody’s In, Invader, Razzle Dazzle)
Davin Brainard (Solo Artist, Princess Dragonmom, Little Princess, Electric Bear, Metal Dungeon, The Crash, Fab.44)
Betty Brownlee (Nathaniel Mayer, The Shanks, Uncle Jessie White, Gino Washington)
Rob (Tyner) Derminer (MC5, The Rob Tyner Band)
Niagara Detroit (Destroy All Monsters, Solo Artist)
Ava East (Shadow Show, Deadly Vipers)
Jimbo Easter (Solo Artist, Living Furniture, Piranhas, Druid Perfume, Odd Clouds, Moonhairy)
Lisa Goedert (The Luddites)
Maurice Greenia Jr. (Spaceband)
William D. Hafer (Human Eye)
Michael Horner (Marcus Belgrave Group, Teddy Harris Jr., Big Joe Williams, Messiah)
Miz Korona (Miz Korona Band)
Katherine Leisen (Soft Location)
Cary Loren (Destroy All Monsters)
Jamie Madrox (Twiztid)
Dave McMurray (Dave McMurray Band)
John Michaels (The Britemores)
Kevin Patrick (Solo Artist)
Lisa Poszywak (Rogue Satellites)
Jim Puntingham (Spaceband)
Ben Teague (Behind the Times, Solo Artist)
Chris Turner (Dark Red)
Tashif “Sheefy McFly” Turner (Solo Artist)
Ewolf (The Dirtbombs)
Albert Young (Albert Young and Straight 8, The Waynewood Boys)
FLY | DROWN
Poster Designed by Mark Arminski. Limited signed editions of the exhibition poster will be available at the opening reception for I’m With the Band.