12.15.2014

DETROIT BAND: THE SUNDAY FUNNIES!


The Sunday Funnies were inducted into the "Michigan Rock & Roll Legends Hall of Fame" June 2017

One of my favorite local bands that played around Ypsilanti and Ann Arbor was the Sunday Funnies. My gang of girls loved to dance to their fun tunes. We never missed them when they played nearby.


Kim I hope ya get this email -

Was checking out your site Motorcity Music Archives and hope it's your site - lol (It's not mine it's Mike Krawczyk's LOL)

Just wanted to let you know all Sunday Funnies members are still alive but that includes me the drummer that took over for Richard Mitchel - Mitchel recorded the 45 for Hideout records and then the two albums for RareEarth and then left the band right after that early 1972.


I was a drummer friend of Mitchel's and Fidge and Aitken too - we all grew up together from the same neighborhood - anyways - we all stayed together till January 1st, 1975. We also had guitarist Gary Quackenbush (SRC) from middle of 1973 to the end.


Sad to say that years later Richard Mitchel ended up homeless and died in a halfway house in Detroit during the 90's.


I'm sending this and hope ya get it - you might want to get rid of the question marks on the page you have up for the Sunday Funnies... I'll ask Mike to zap the question marks for you guys ok?
with respect too - Rosco 63



*Richard Fidge (V)
*Ron Aiken (G, B, V)
*Richard Kosinski (K, V)
*Richard Mitchel (D)(RIP)
*Ross (Roscoe) (D)

Singles:
"Heavy Music" / "Path Of Freedom" (Hideout) 1970
"Walk Down The Path Of Freedom" / "It's Just A Dream" (Rare Earth) September 1971

Albums:
"Sunday Funnies" (Rare Earth) May 1971
"Benediction" (Rare Earth) May 1972

SOCIAL:

12.03.2014

FUNKY D RECORDS TO PRODUCE DETROIT'S LONGNECK STRANGLER!


There’s no simple way to label Longneck Stranglers’ sound. Their grungy, sometimes psychedelic, guitar riffs paired with hard-hitting drums and that good ‘ole southern harmonica yield a rockabilly-roots rock that would be just as at home at a honky tonk as it would in a grimy hole-in-the-wall in downtown Detroit.



Their hodge-podge style is no happy accident but is very likely the product of the boys’ hometown of Hazel Park, Michigan - aptly dubbed “Hazeltucky” because of the several residents, transplants from Kentucky, that brought with them their love for southern music. Pair that with the influence of neighboring Detroit Rock City and you’ve got Longneck Strangler.

As lead singer, Ricky Lentz, explains, “We’re at a crossroads where fans of both rock and country can meet.” Although they frequent the festival scene, at their core Longneck Strangler is the great American bar band.


Their name is, in fact, a euphemism for drinking a beer. A name that became so associated with grabbin’ a cold one that the boys have their own limited edition brew for fans to “strangle.” Give one listen to their upcoming full-length album, Home (release date 12/12/2014), to see how far the boys have come since their first EP, My First Rodeo, in 2007.

Guitarist Rick Browarski, the predominant songwriter of the band, writes his best stuff when pulling from real life, and there’s no doubt this album is shaded by mature themes like family and real love, while keeping just enough of those rambunctious beer-bar tunes the band was founded on.


Lentz’s deep, pure baritone vocals, ooze from the speakers, creamy as velvet, with moments of contradictory gruffness that are only more alluring, like a recently-shaved beard on an otherwise smooth face. The rest of the band, including drummer Jeremy Kanouse and bassist Kevin Davis, form the backbone of the music, delivering gospel-tinged blues, Opry-licious Americana, beer-soaked ballads and everything in between.

“We’re a country band that plays rock and we’re a rock band that plays country,” Browarski said. We’ve always been neither and both.” Longneck Strangler sit comfortably at their crossroads, a genre-spanning group, that can relate to fans on both sides of the tracks. When struggling to define their sound, just call them American music.

LONGNECK STRANGLER FACEBOOK
LONGNECK STANGLGER TWITTER

12.02.2014

NEW RELEASE FROM DAVID BIERMAN OVERDRIVE!

 

We got a cool message today from Ex-Junk Monkey David Bierman! He has a new band with fellow Detroiters from American Mars, The Beggars and The High Strung for first new music in 20 years..We were big Junk Monkey fans and his voice just improves with time.....I love his VOCALS!! and we are itching to go see them asap.....Check out my favorite tune for Tuesday....

a little old clock...ticking all the time....



From David:

Long story (mostly) short:
I was lead singer of Detroit’s Junk Monkeys, a sorta seminal alty-rock band that released several albums in the late ‘80s/early ‘90s. Signed to Metal Blade/Warner Bros along with Goo Goo Dolls in the ‘Great Modern Rock Roundup of 1990.’ Put out a handful of albums that were loved among a too-small handful of people. Toured and toured and toured some more.

Stopped for a long list of reasons in 1994.

Started writing songs again last year, and gathered a great band to help me out. The result is the new album, ‘Standard Skies.’

 
David Bierman Overdrive
David Bierman – Vocals, Guitar
Jim Faulkner - Drums (Blueflowers, Beggars)
David Feeny - Pedal Steel, Organ (Loretta Lynn, American Mars, Blanche)
Stephen Palmer - Guitar (High Strung, ex-Back in Spades)
Kevin Perri - Bass (ex-Junk Monkeys)

Here’s what you may find on the hi-fi in our rehearsal space: Nick Lowe, Guided By Voices, Replacements, The Saints, Eels, Superchunk, one Carling Black Label, Centromatic, James, Van Morrison, Whiskeytown, Aimee Mann, Jonathan Richman and the Modern Lovers, Wilco, Okkervil River, American Analog Set, Flamin Groovies, etc.

Bunches of ways to preview below,





12.01.2014

Steve Hunter Talks Guitars, Tone and 'Tone Poems Live'



December 1st 2014

Tonight! LIVE!


Guitar Player Steve Hunter talks about his music, his style and his new album 'Tone Poems Live'

On LA Talk Radio (8pm Pacific time, 11pm Eastern time)

‪#‎FLOGuitarEnthusiasts As you know, our show is all about tone, and this week's we really deliver it! But tonight we are also going to experience something else that goes along with great tone - taste, and our guest delivers both! Scott and Jeff welcome back Steve Hunter, who has been one of the most in demand session players and touring guitarists ever, recording and touring with Lou Reed, Alice Cooper, Peter Gabriel, and many others. And, Steve has had success also as a solo artist. We talk to Steve about his latest project, "Tone Poems Live," a live in-studio recording and video featuring Tony Levin on bass, Phil Aaberg on keyboards, and Alvino Bennett on drums and percussion. We will discuss the gear, Steve's tone, and the recording of this epic performance. Join us, 8pm Pacific time, 11pm Eastern time, at www.latalkradio.com on ch 1!

11.29.2014

WE SUPPORT THE ROCK N ROLL PREP SCHOOL!

MISSING BOOTSEY X: STORY FROM GERALD SHOHAN


Even though he’s been gone for a year now, don’t think any of his fans and friends will ever forget Bootsey X! I’ve spent some time on Youtube the last few days thinking I would add a one of the video’s of Bootsey X and the Lovemasters along with this picture. 


The trouble is, I couldn’t decide which one. Like most of you know, not every show is the brightest star in your universe. Should it be one that reminds me of the time we had that night, or a song that everyone wanted us to play.



I watched one that had both Bootsey and Steve King, both of which left us this past year. Instead of rambling on, I’d just like to say during this holiday season, how thankful I am to have been a part of the life and times of these guys, and thank all of you for being there for us.
Feel free to post or like your favorite tune or moment. THANK YOU GERALD

11.27.2014

GUITAR LEGEND PETER BANKS THE MARS TAPES!


Rare Recordings By Guitar Legend Peter Banks 'The Mars Tapes' Now Available!

London, UK – Much to the excitement of prog fans worldwide, rare recordings of guitar legend Peter Banks, best known for his work with YES and FLASH, is now available on GONZO Multimedia! Peter Banks Empire 'The Mars Tapes' (2-CD set) represents Empire lll in rehearsal at Mars Studios in Los Angeles in 1979. The band had set up camp at Mars Studios for six months rehearsing and showcasing their music, much of which has been unheard until this release. The band basically recorded every thing they did off the board, tape hiss and all.

Peter Banks (RIP 2013) and Sidonie Jordan, who not only co-wrote, but fronted the band with her powerful vocals, founded Empire in the early to mid-seventies after Peter’s FLASH endeavors and attracted artists such as Phil Collins. Peter and Phil had joined forces in a band called 'Zok And The Radar Boys' which was pre-Empire for Peter, and pre-Brand X for Phil. “Sky At Night” (bonus track) features Phil Collins on drums and backing vocals and Jon Giblin on bass and is testimony of their collaboration.

Sidonie Jordan, who has an extensive list of music credentials to her name, including a diversified solo career as a staff writer/recording artist for A&M Records, and has recorded for other labels such as Capital Records, Electra Records and Trojan Records. (Her song and recording of ‘All God’s Mornings’ was produced by Peter Townshend and featured on his ‘With Love’ album. Sidonie is currently producing and writing with Jez Larder owner of Skyline Studios in Sunbury- On-Thames UK, and Empire lll drummer, Mark Murdock, more recently known for his 'Cymbalic Encounters’ release featuring members from Brand X, agreed to release these recordings as a dedication to the memory of Peter Banks and his great contribution to progressive rock music.

Says Sidonie, “ 'The Mars Tapes' were recorded live at Mars Studios in Los Angles during the summer of 1979! And include a few tracks that never appeared on any Empire albums. As with all the Empire incarnations this album features the amazing talent and skill of Peter Banks, who has been called the Architect of Progressive Rock.”

Drummer Mark Murdock explains, “The Peter Banks Empire ship set sail against the ever-changing music world, and was uncompromising in producing a range of material with Peter Banks' 'Signature Guitar Sound and Style,' while incorporating themes of the time period in which the band existed and also reliving the past by playing songs from the early Empire catalog and even a YES version of ‘Something’s Coming.’ There are various tracks on ‘The Mars Tapes’ that also represented a ‘Work In Progress,’ which were both instrumental and vocal orientated. Empire was anticipating to make some big waves in the music scene, but the waves never reached the shore- until now!”

For more information:
http://www.gonzomultimedia.com/product_details/15718
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