5.26.2014

REDD: RISING STAR DETROIT PUB MAY 31


REDD - (Jeremy Stewart) - Will be headlining the RocknRoll Hair Show this Saturday May 31 to benefit KNOW/RESOLVE.

REDD is from Detroit and we are excited to see his show along with a song he recorded recently with Rocquel Wallace...Both of these performers really bring the heat...Tickets are moving fast so grab your tix HERE



REDD - (Jeremy Stewart) - Born Jan 27 1992 Jeremy Stewart began playing drums for his elementary band in 5th grade. It was not long after that he began to start recording himself rhyming over beats he found on the Internet. By 13 years of age his catalog of early material included collaborations with rappers LilMor (Anthony Morales) and Quicksta (Kenny Quick).

2009 saw the forming of what would soon be Suburban Syndicate featuring REDD, LilMor and Quicksta. Suburban Syndicate's first release WiFi love sold out all 500 hard copies within 2 weeks time. The band signed a production deal while all 3 members were still in high school and went on to garner successes both in Detroit and in Nashville.

 
Releasing 2 mixtapes and the album 82316 a Rap/Rock fusion that grabbed attention both on the Internet and also lead to Suburban Syndicate playing the 2012 Rockstar uproar tour. The band suffered from issues with the musical genre change and member commitments and in early 2013 went on a hiatus. Although all three original members still work together it is no longer under the banner of "Suburban Syndicate".


Now working as a solo artist and making waves. REDD just dropped his first solo release Rising Star. With his videos receiving multiple awards online on sites such as Beat100.


REDD was also recently received the coveted Ultimate Musician Award on Beat100. Catch REDD on all his social media sites and for show/tour updates at any of the following links.



5.24.2014

MIDNIGHT RIDER ALLSTAR TRIBUTE TO THE ALLMAN BROTHERS BAND

 

Leon Russell, Steve Morse & Pat Travers Lead A Stellar Cast Of Music Superstars On This Tribute To The Legendary Allman Brothers Band!

Also features Commander Cody, Molly Hatchet, The Oak Ridge Boys, Artimus Pyle Band, Reese Wynans (Double Trouble), Tinsley Ellis, Robben Ford & more!

Los Angeles, CA - One of music’s biggest and most influential juggernauts gets the respect and admiration they so richly deserve on this brand new tribute album available May 27th from Cleopatra Records! Featuring an eclectic group of rock, country, and blues legends, Midnight Rider - A Tribute To The Allman Brothers Band offers energetic new covers of the classic hits “Midnight Rider,” “Ramblin’ Man,” and “Whipping Post” as well as one of the most famous instrumental songs in all of rock music “Jessica,” alongside many more Southern fried favorites!

“The Allman Brothers were a central part of my roots,” proclaims guitarist Steve Morse, who shreds his way through a smoldering version of “Whipping Post” on the album. “Living in Georgia much of my life, they were the local legends that everybody loved. They had the swing, the inventive double guitar parts, the ability to jam just long enough to keep the audience, and that golden voice of Greg’s! When my instrumental rock band, the Dixie Dregs, played, we often played ‘Jessica,’ which automatically makes any audience start moving and smiling. I’ve been lucky enough to sit in with many of the members at various times, and we have shared a lot of common ground. I’m still a fan!”

Duane Allen, lead vocalist for country legends The Oak Ridge Boys, declares, “‘Ramblin’ Man’ is the national anthem of Southern Rock & Roll, so it is a huge honor to be asked to be a part of this tribute.” Allen’s sentiments are echoed by several other participants including blues guitarist Eric Gales who considered it a “great honor” and Tinsley Ellis who also speaks enthusiastically of the group as “one of a handful of musical acts, along with Ray Charles and Willie Nelson, that are considered to be a genre unto themselves. It is a great honor to be among the other stellar acts paying tribute to such a legendary and influential American band.”

Speaking for a next generation of blues rock artists, Eli Cook offers both high praise and a word of advice: “The Allman Brothers’ story of talent, hard work, and blind devotion to creating an honest and unique sound is one that every artist should study and imitate. Just as they cut their teeth on Taj Mahal, Cream, Elmore James, and all the great early R&B artists, today’s players are wise to woodshed with the Eat A Peach and Live At The Fillmore albums.” Or just pick up a copy of Midnight Rider - A Tribute To The Allman Brothers Band and let these boys show you how it’s done!

1. Midnight Rider - Pat Travers
2. Ramblin’ Man - Oak Ridge Boys, Tinsley Ellis & Kevin McKendree
3. Melissa - Molly Hatchet
4. Blue Sky - Artimus Pyle Band
5. Whipping Post - Jimmy Hall & Steve Morse
6. Jessica - Roy Rogers, John Wesley & Jim Eshelman
7. One Way Out - Robben Ford & Martin Gerschwitz
8. Soulshine - Debbie Davies & Melvin Seals
9. Statesboro Blues - Eli Cook
10. In Memory Of Elizabeth Reed - Eric Gales
11. Southbound - Commander Cody & Sonny Landreth
12. I’m No Angel (Greg Allman solo) - Leon Russell, Reese Wynans & Ronnie Earl

To pre-order the CD at Amazon,


5.21.2014

FENDER LUCITE DRAWS ATTENTION


NM, with clear plastic strap, tweed-covered OHC, custom-ordered by Garry Beers of INXS, made in Fender Custom shop by John Page and Michael Stevens, serial number P003 (001 was a Strat, 002 was a prototype body for this instrument), used in "Suicide Blonde" video and promo photos for X album, a one-of-a-kind instrument, with letter from Beers. in Nashville Show


Found this very cool photo of a custom Lucite Fender P bass and shared it on Facebook...a lot of people commented and shared the photo above.....here is some of the buzz....

Stan B. Mikelsavage Sweet but I bet it weighs a ton.

Damian Moss I've never seen one with a plexiglass neck!!!!

Brian Tourville That's Instant Collectible as it's a Fender ..

Michael Segler Damian, me either.. have seen the plexiglas body, but not w/the neck.

Retro Kimmer I had no idea how much these solid plastic guitars weigh....I went to pick up Deniz Tek's Dan Armstrong and almost fell over with the beast.....

Damian Moss They are heavy kim..... also what concerns me is plexiglass is porous. ...over time I'd worry about yellowing....not to mention the fact about resonance. .looks awesome no doubt. ..but I'd have to know more

Benjamin Borden I would be very surprised if it stayed in tune for long ,,the Dan Armstrong Ampegs with the plexi glass body were terrible

Michael Segler I would have to agree w/Damian.. I can't imagine the acrylic is much of a good 'sound body'... that's the reason they only use certain types of wood for the guitar body construction.

Retro Kimmer but...it looks so cool!

Michael Segler yea, like those see through, engine models they used to sell in the back of the comic books;^)


John Entwistle Fender Lucite P-Bass

CINETOPIA INTERNATIONAL FILM FESTIVAL GUIDE JUNE 4-8 2014


The Cinetopia International Film Festival is honored to welcome groundbreaking auteur Spike Lee for a special 25th anniversary screening of his film Do the Right Thing at the Michigan Theater on Friday, June 6. This invite-only event is made possible by a generous Michigan Theater …

Retro Kimmer

5.20.2014

IRON BUTTERFLY: LIVE AT THE GALAXY 1967

 

Recently was asked to review an upcoming release by Iron Butterfly, “Live At The Galaxy 1967”. I jumped at the opportunity to review one of my favorite bands of all time.

This album has been dug out of the vaults some place not yet known and was most likely done from a late ’60s sound board/mixer or even a table top reel-to-reel recorder. With that said, the quality reflects that recording procedure and the time frame. The actual recording date was November 9, 1967. Although this show has been around a number of years as a full blown bootleg this is its first release as a true recording with all the pomp and circumstance it really deserves.


The set list this particular night included:

Real Fright
Possession
Filled With Fear
Fields of Sun
It’s Up To You
Gloomy Day To Remember
Evil Temptation
So-Lo
Gentle As It May Seem
Lonely Boy
Iron Butterfly Theme
You Can’t Win

The album is dirty, grimy and heavy…everything we have come to expect and love about Iron Butterfly. It has that high quality bootleg feel, but don’t let that fool you. It feels live and truly gives you the aural experience of a late ‘60s club concert! You can almost smell the reefer wafting through the air and clink of glasses and bottles in between songs. Don’t expect the quality of your favorite boy band’s new release though or you’ll be absolutely disappointed.

This set encompasses 6 songs from their 1st album, “Heavy” which hadn’t been released yet. You can hear the future being born in these 6 songs. “Iron Butterfly Theme” is here in still an unpolished state but still very recognizable and moving. Many of the songs will cause you to listen to them several times to understand how much more work went into them to bring them to the final form we saw upon release of the “Heavy” album.


Even more amazing is the fact 3 songs found here weren’t released until their 3rd album, “Ball”, which went to #3 position on the USA music charts in 1969. That’s a full 2 years after they recorded them in this performance. You may have to listen close to recognize them but the development will stun you.

There are also 3, still unreleased songs, in this set list. They are “It’s Up To You”, Gloomy Day To Remember” and “Evil Temptation”. One has to wonder why they didn’t spend more time to polish and complete them at some point. I will go out on a limb and speculate that maybe the large amount of band member changes did not let that happen. That is unfortunate for Iron Butterfly fans around the world.

With all this said this is not an album for your typical radio listener or non-rock fan. What this album is though is a historical account of one of rock’s most famous and favorite bands. If you are a Iron Butterfly collector, music history aficionado or just someone who is interested in the growth of your favorite Iron Butterfly tune than this is a MUST HAVE ALBUM for you. I found it to be a great listen and will add it to my music collection when the vinyl version is released on June 10, 2014. The CD version is being released on May 27, 2014 for those of you who can’t wait for the vinyl. All I can say is…we miss you Iron Butterfly!

“Electric Mike” Langford

5.19.2014

DENIZ TEK BUYS FRED "SONIC" SMITH'S CRESTWOOD

Deniz Tek with The Crestwood in Radio Birdman

Deniz Tek tells the history of his Epiphone Crestwood Deluxe that was once owned by Fred Smith during the MC5 days.

Deniz Tek: I was in Ann Arbor in 1973, home to visit family and friends on my first visit back after moving to Australia in '71. By then I was in a band called TV Jones, and I was always on the lookout for cool guitars. Anyway, I was at the Campus Corners store on South University, looking at the notice board. There was a handwritten ad that read something like "MC5 Epiphone Crestwood guitar" and a phone number. I knew the band had split up and was selling stuff.
 
Fred "Sonic" Smith

Being a huge fan of the MC5, and a lover of great guitars, I called the number. It was a middle man, selling the stuff. I think his name was Fred Stoll. I knew his sister in school. So I went down and bought the guitar, I wont say for how much but it was a good deal even for those days. The guitar came with a case with the MC5 stencil painted on it. I took the guitar back to Australia, and it being the finest guitar I had ever owned, I began playing it as my main axe. I've played it ever since.
 

The Epiphone Crestwood Deluxe was the top of the line solid body Epiphone back in the days when Epiphone was owned and built by Gibson. It was the Cadillac. It featured 3 mini-humbucking pickups, and a 3 position selector switch where you could get the neck pickup alone, the bridge pickup alone, or the bridge and middle pickup together. The way it was wired you couldn't get all three at once.

  photo by Kevin O'Rafferty

It had an oversized batwing headstock, bindings, Grover machine heads. The particular model that Fred had was a very rare version that had a factory-installed Bigsby tailpiece instead of the standard Epi tailpiece. This conversion left a couple of extra screwholes in front of the bridge. To cover those up, a little black plate was put on that said "Custom Made". Apparently they only made 200 of that model. Mine was made in 1966.

photo by Kevin O'Rafferty

I am pretty hard on guitars onstage. The Epiphone had the neck break off 3 times. It was never deliberate, but just from the way I play, plus the fact that the neck-body joint on those guitars is a bit flimsy ... it was that model's only design flaw. The last time it happened, in the early 90's, I left it with Dan Erlewine. He was the guitarist in the Prime Movers when Iggy was the drummer, and he was also at the same time my first guitar teacher at Herb David Guitar Studio in Ann Arbor in 1964. Dan later became a world renowned guitar luthier and repairman. He used to write the guitar repair section of Guitar Player magazine. Dan did an amazing repair job on that guitar and fixed it up so the neck joint was bulletproof. I never had a problem with it from then on.
 
Photo: Tim Bugbee

I became friends with Fred Smith a couple of years after I bought his guitar, and he would occasionally ask me to bring it along and play as a guest with Sonics Rendezvous on the song City Slang, which features a lot of guitar. Fred was always happy to see his old Crestwood.


In 1978 I was in London with Radio Birdman, and we ran into Iggy and his touring band which at that time included Fred Smith, Scott Asheton, Gary Rasmussen and Scott Thurston. Fred had some extra cash on hand, and asked me if I would consider selling the guitar back to him. By then I had played that guitar on several hundred shows and some recordings ... it felt like part of me. I wouldn't sell. He was understanding and good humored about it. We went out to dinner that night. Much later, after Fred passed away, my pal Scott Asheton told me that Patti wanted to get the guitar back as part of Fred's estate. Again, I had to respectfully decline.

I went to photograph the legendary Radio Birdman at Manning Bar last night. The band had fun on stage and the crowd loved it. The show was awesome.
Here is a photo of half of Deniz Tek and his beloved Epiphone Crestwood Deluxe as they get ready to launch.
Photo Emmy Etié Photography

When I was touring with DKT-MC5 in 2004, I played that guitar. It was a great, great honor to fill in with them. Of course, no one can ever fill Fred Smith's shoes, or play like him. I asked Wayne what he wanted me to do, exactly. He said "I'm hiring you to play your ass off". I said: "I can do that"! Wayne remembered Fred's guitar well. He said that around the time I bought it, they also tried to sell his world famous American flag Stratocaster. And he told me that no one bought it! Unsold, it went into storage. He went on to say that he never found out what happened to it after that.


The guitar has become iconic over the years. People associate it with me, with Radio Birdman, and with the MC5. In Australia, Epiphone guitars became sought after. Players wanted that sound, and that look! By 2006, the last time I toured with it, it was so beat-up and had lost so much paint that it began to have some tone problems when the bare wood would get soaked. I had it dried out and clear coated, and decided to allow it to retire gracefully. Deniz Tek

★Deniz Tek, from Ann Arbor, Michigan, is a guitarist, singer and songwriter currently based in Sydney, Australia. His career in music, grounded in late-60's Detroit, extends through several decades and across continents. He is best known as a founding member of the influential Australian independent rock band Radio Birdman.

In 2007, Deniz was inducted into the Australian Music Hall of Fame, and in 2012 was voted number 7 in the top 100 Australian guitarists of all time.★

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