1.06.2014

MACHINEGUN THOMPSON: KICK OUT THE JAMS GOES TO THE MOON


I am totally blown to super nova smithereens. The really flabbergasted, slack-jawed and drooling kind of blown away. I was just surfing and dinkin’ around on the net and just for kicks I typed in “All Kick Out The Jams” on Youtube. I looked at the number of results on the top of the webpage and said to myself. “This can’t be!” there were 1,440 results! “What the f**k!”


Silverchair, Blue Oyster Cult, Pearl Jam, Presidents Of The USA, Rage Against The Machine, The Hellacopters, Monster Magnet, Jeff Buckley, Bad Brains and hundreds of others. I actually got tired of watching so many cover versions of the song, I had to come back next morning and check out a few hundred more! Just kidding…


Honestly though, I am flattered to the nine’s. I can’t even begin to tell you how great it feels to know I was involved in co-writing a world wide ROCK anthem. I really liked Presidents of the USA, Silverchair, Hellacopters, and Rage’s versions, but truth be told the deeper I went in, there were so many damn fine versions by so many young and not so young bands. I didn’t recognize the names of so many that took the effort and time to film themselves playing our song.


What an honor!



I am flattered beyond belief, but mostly I am sincerely humbled by this phenomenon. Thank you everybody for Kickin’ Them Out. I never would have dreamed when we first started playing this song way back in 1968 that it would be so dear to so many people’s hearts in the 21st century.

WOW! Once again, I want to thank all the bands and all the listeners out there. This rockin’ universe never ceases to amaze me!

Very Gratefully Yours,
MGT


Of Course... The Original...

1.02.2014

HAPPY BIRTHDAY TINO GROSS THE FUNKY D!

TINO GROSS

Tino Gross promotes everyone else...rarely if ever.. talks about himself.. He works tirelessly promoting new bands, the city, his friends and puts in countless hours in the studio..Here is a little tip of the hat to a great man and a Detroit gem...


Here's a treat video clip: ' Green Bottle' -Howling Diablos 
Headline Sold-Out Show at Fillmore (State Theatre) 
You'll recognize many of our Detroit Pals in this one!!!


12.31.2013

DETROIT ROCK N ROLL T SHIRTS COMING SOON...




We are going to begin a new brand or trademarked Detroit RocknRoll t shirts/hoodies/tanks/...we would like to get an idea of the people here that would like to own one of these?

THE MOTOR CITY'S BURNING DOCUMENTARY: BBC

 

Documentary looking at how Detroit became home to a musical revolution that captured the sound of a nation in upheaval. In the early 60s, Motown transcended Detroit's inner city to take black music to a white audience, whilst in the late 60s suburban kids like the MC5 and the Stooges descended into the black inner city to create revolutionary rock expressing the rage of young white America. With contributions from Iggy Pop, Alice Cooper, George Clinton, Martha Reeves, John Sinclair and the MC5




HAPPY NEW YEAR FROM DETROIT ROCK N ROLL!


THE SRC STORY (SCOT RICHARD CASE BAND)


Perfect Sound Forever's Tim Shannon on SRC

This is the SRC story. The band started when the Fugitives consisting of Gary and Glenn Quackenbush (guitar and organ) and drummer E.G. Clawson took the lead singer Scott Richardson from another local band, the Chosen Few (their past notoriety being opening up the Grande ballroom in Detroit with the MC5).

Then after adding Robin Dale on bass and Steve Lyman on rhythm guitar, they formed the Scott Richard Case (later shortened to SRC so as not to have emphasis on any individuals in the group) and released their 1967 debut single (A-Square Records), a cover of Skip James “I'm So Glad." No doubt SRC first heard the song off of Cream's debut record, but they don't do a by-the-numbers retread of it. Their version has more energy and feeling to it.

 
The guitars get a raw sound, the lyrics are sung with conviction and it has a nice fuzzed-out solo that only hints at Quackenbush's talent. The song became a hit locally that summer and with help of their future producer John Rhys, they met the V.P. of Capitol records and signed a contract with them. SRC had their own distinct sound and unique vision- heavy psychedelic rock mixed with hard rock overtones with Quackenbush's lead guitar style really contributing to their overall sonics. Quackenbush's technique was incredible, especially the way he used feedback and incorporated it into searing solos that are so expressive and can range from melodic to chaotic in a matter of seconds in the same song.

  
This made the band stand out, although the other band members shouldn't be underestimated since it's when they all got together that the songs took form. Their music is the kind you get lost in, you forget yourself and your surroundings just melt away.

Their sound reflected influences like Cream, The Pretty Things, The Who and The Yardbirds and other British bands. They mixed that influence with the sound of peers from the local music scene (the Stooges,MC5 and the Amboy Dukes) to come up with something very unique and creative.

THE CHOSEN FEW



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