Showing posts with label UK. Show all posts
Showing posts with label UK. Show all posts



I AM TREMENDOUS! :O... AKA Mark Dudzinski UK artist Heavily Influenced by T.Rex/David Bowie. Our debut single "Like Dreamers Do" is released 1st June and Album end of this year with shows to be announced end of May.

We are a bit of a 70's throwback you see..but we would love for you to give
us the chance to get our single out to the world!

The track is dedicated to my Manager/Close friend the late Adrian Millar who passed away of a sudden heart attack. He was known for his work with The Babys/Black Sabbath and was recorded in Knislinge/Sweden and half of the album has production duties from Gavin Monaghan (Kings Of Leon/Rob Plant/The Editors). I've also just signed a small sync deal with Asylum Ent owned by the Major motion Picture company Legendary Entertainment in Los Angeles.

For a few sneak peaks of the album tracks please go to It will be available via itunes/spotify etc and on my own label Horrendous Records x



The Boys – Back with a Bang

On June 20 2014 THE BOYS release their long-requested first new studio album since 1981 on Wolverine Records. Featuring the original founder members and creative core of Matt Dangerfield, Casino Steel and Honest John Plain, the new album “Punk Rock Menopause” is packed with 13 iconic new songs bearing the band’s classic trademark blistering guitars, hard-edged melodies, killer hooks and layered harmonies. It will be released as CD/LP and Digital Download!

The Boys Story

Along with the Sex Pistols, Clash and The Damned, The Boys were part of the first wave of the mid-1970’s UK punk explosion. Armed with an arsenal of killer Steel/Dangerfield songs The Boys became the first UK punk band to sign an album deal in January 1977. Highly regarded by the music press and their contemporaries, their well-crafted songs, together with Steel and Dangerfield’s love of harmonies, led to them being described as ‘The Beatles of Punk’ but they could (and should) just as deservedly have been compared to the Ramones – fast, alternately brattish and tongue-in-cheek, and gloriously anthemic.

As Last FM puts it: “The Boys made arguably one of the best LPs of the 70s with their self-titled first album and provided the template for superior Pop Punk before even the Buzzcocks had got out of first gear”.

The Boys were born in September 1975 when singer/guitarist Matt Dangerfield left Mick Jones and Tony James’s fledgling punk band London SS to form a new band with ex-Hollywood Brats songwriter/keyboard player Casino Steel. Dangerfield’s art college pal, guitarist Honest John Plain, was quickly recruited. The following year they held auditions for the bass and drum roles with Kid Reid and Jack Black completing the line-up.

Matt Dangerfield had converted the tiny disused coal cellar of his rented basement flat in Maida Vale into a home recording studio/rehearsal room and as a consequence, 47A Warrington Crescent became extremely important in the development of the UK punk scene in the mid seventies. Mick Jones, Glen Matlock, Tony James, Rat Scabies, Brian James, Gene October, Sid Vicious and Billy Idol were regular visitors. Amongst others, The Sex Pistols, The Damned, London SS, Clash, Chelsea, Generation X and of course, The Boys, made their first recordings there. In this hotbed of creativity Steel and Dangerfield quickly forged a prolific songwriting partnership.

The Boys made their live debut at London’s Hope and Anchor in September 1976. Mick Jones, Billy Idol, Joe Strummer, Tony James and Gene October were in attendance for The Boys first performance. A mere handful of gigs later, they became the first UK punk band to sign an album deal when NEMS Records snapped them up in January 1977.

Having released two albums and three singles with NEMS, they moved to Safari Records in 1979 where two further albums and five more singles followed.

Over the years countless bands have covered The Boys’ back catalogue – from Argentina to Germany and Japan to the USA – and even more artists have cited The Boys as a major influence. According to the privileged few to have heard it in advance, the new album is right up there with its predecessors and destined to add a handful of new ‘Boys Classics’ to the band’s legacy.
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