2.06.2014

DENNIS THOMPSON THE MC5 RETOOLED: JON LANDAU AND TARTAR FIELD

AUTHOR DENNIS THOMPSON

We had just completed the recording of our first album in the recording studio. Jon Landau produced this album “Back In The USA”, our second record. Jon ran a very tight ship. He virtually changed our lifestyle. We had moved again, this time from Ann Arbor to a small, mainly German farming town by the name of Hamburg, MI.

Quiet and most rural, we gave ourselves some room from the party crowd and all the traffic in general. We needed the change of scenery. Jon was a music writer for Rolling Stone and we were his second recording project ever. He had us running laps around the house and eating a low fat, high protein diet. He also tried his best to run a no drinking and drugging regimen as well. We rehearsed like men possessed and that was a good thing. I have to say now in perfect 20-20 hindsight, that what Jon did for us was actually quite beneficial in many ways.

I was not into this guy at all. I used to call him a Fascist and an amateur. I wanted a professional producer with a proven track record, but once again the powers that be overruled me again. I felt he was anal retentive and was driven to total perfection partly because of his lack of experience, so he overcompensated.


The tunes were too tinny sounding and lacked punch. The music lacked that fullness that we were known for. There was no improvising. We may have overdone that on the first album. I felt very strongly about this. Jon’s heart was 100% in the right place. He wanted a hit single from this band and he knew we needed to change to accomplish this. We confused our fan base. (More on this period later folks.)

The songs were also all 3 minutes long or shorter, and this flew in the face of our first album, KOTJ, where the songs were on average 4-7 minutes long. In retrospect, we did need to clean up the timing and the tightness of the tracks. I will be the first to admit this.



I had to play to a metronome and we layered the tracks as opposed to playing as a group. This felt alien to me. I adapted to this format in a short time, but I still did not like it. Now, years later, many of our fans think it was our best album out of the three. We could have done a hell of a lot better with a pro, but would we have been as tight? I doubt it. All in all, as a result, what you see and hear on the tapes of the Tartar Field performance is a direct result of that conditioning.

Now I think everything is as it should’ve been, because that is the way life comes at you. So here you have it, the first time we played the new tunes off “Back in the USA” or what many people call “The White Album”. We did this in front of a large audience at Tartar Field, Wayne State University, mine and Michael Davis’ alma mater.

Remember that this band was always evolving, we never stood still, and this chapter is just as different as the one before it, and the one that followed it (the High Time Period). “Gotta Keep Movin”, my, oh my…wait till I tell you of the Jac Holzman and Elektra period!

The drama is even better…MGT


MC5 playing Looking At You live at Tartar Field 
on Wayne State University Campus in Detroit on 
July 19th, 1970 TURN YOUR VOLUME UP NOW!

THE CLASH LIVE: MOTOR CITY ROLLER RINK MARCH 10 1980




From a Reader: I was at this concert. Great show. This show was a benefit to raise money to benefit Jackie Wilson. It was so hot in there. I started out about midway back when Mikey Dread played and people kept passing out so by the time the Clash came on, I was right up front. Could barely move. 



At the end of the show, Topper Headon threw his sticks into the crowd and one hit me in the face. I grabbed it and some woman next to me bit my arm. I elbowed her in the face from the pain and shoved the stick down my shirt. People were scrambling all over the place to find it. I hopped up on stage and crawled away (the place was jam-packed). I still have the drumstick. It's says "Toppers Boppers" on it.

Great post!!!

Motor City Rock Venues

History of the Motor City Theater/Roller Rink

The Motor City Movie Theatre/Roller Rink Historical Project

2.04.2014

THE HISTORY OF DETROIT! MURDER CITY COMIX : KENT MYERS

 


For "Detroit! Murder City Comix" (D!MCC) I was drawing Detroit-themed comics after moving to San Francisco in the late 80s. I thought it would be something unique on the west coast plus autobiography was the trend in undergrounds and mine was from Detroit. Rick Metcalf and I had worked together on a comic in Detroit for Fun magazine.

 

I did the art and Rick wrote. We continued the collaboration remotely and he wrote a great story "Gunned Down in Motown" which won the best new comic in the San Francisco Bay Guardian (newspaper). I had just about enough material for a complete issue so we set up an art show and launch party at Dave Robert's Willis Gallery in the Cass Corridor.
 

We got a bunch of Detroit and San Francisco artists contributing original work with the Detroit 'Murder City' theme. From the SF underground we had S. Clay Wilson, Spain & Trina from Zap, Mavrides from the Freak Brothers, Bill Griffith from Zippy the Pinhead and from Detroit we had Niagara, Glenn Barr, Mark Dancey and so many more. It was a great event.

 
Detroit! Murder City Comix launched with the Willis art show in Detroit in 1990 and was a riff on R. Crumb's 'Motor City Comics' with the new murder capital fame. (original invite attached) Rick and I self-published the first 3 issues before being picked up by the bay area publisher "Slave Labor Graphics" for issues 4-7 which ran throughout the 1990s. Based in Detroit, Rick was a great promoter and writer connecting with local celebrities, getting D!MCC on the TV news, a cover story in the local paper, and highlighting the Detroit music scene with stories featuring Iggy Pop, Niagara, Mitch Ryder and more.


On the home front D!MCC was controversial and condemned by the mayor's office (Coleman A. Young) which added fuel to our fire. Outside of the 7-issue comic book, D!MCC has also appeared as a feature in many other publications including Film Threat, Gearhead, Filth, and Black Market among many others. I do both the art & writing for some of the smaller features, and D!MCC lives on with an occasional new story like one coming later this year in Specious Species #7, a San Francisco interview and culture zine.

2.03.2014

SNEAK PEAK! HOWLING DIABLOS: GOOD GOOD VIBES!!!


Here's an advance peek at the new Diablos single off 'Return Of The Funk Hand' LP It's called 'Good Good Vibes' ...and it's a love letter to groovy rock n roll Detroit kids everywhere!!!!

Tino and the Diablos hard at work....working them good good vibes......


2.02.2014

CARL LUNDGREN'S NEW BOOK: PSYCHEDELIC ROCK ART


Music inspired, science fiction and fantasy combined in a way that revolutionized poster art of the Psychedelic 1960's-era. Famous for his rock posters, The Psychedelic Rock Art of Carl Lundgren, a Detroit, Michigan based artist, showcases his posters which were as important to the Detroit Music and Art history as were the music legends themselves; The Who, Jefferson Airplane and Pink Floyd to name a few.

The book's foreword is written by Mitch Ryder, who was lead vocalist of a Detroit 1960's rock group The Detroit Wheels. The introduction is by Russ Gibb, a former radio personality and rock promoter from Dearborn, Michigan, who played a major role in the late sixties/early seventies Motor City music scene. Whether looking for something fun, entertaining or reminiscent, this book has it all! The Psychedelic Rock Art of Carl Lundgren presents Carl's posters in a unique way that will evoke emotion and memories.

2.01.2014

CHUCK SANTONI: DETROIT ROCK/COUNTRY RADIO PIONEER

Steve Kostan, Keith Richards, Chuck Santoni

Had a blast catching up with Detroit Radio man and heck of a nice man, Chuck Santoni the other day. We burned up the cell towers with laughter! Chuck and I had some friends and times in common back in the wild 1980s in Detroit. 

Chuck with Cheap Trick 

Chuck's radio history:
1976 - 1979 On-Air Personality - WABX 
 1979 - 1987 On-Air Personality - WWWW FM 
1987 - 1995 On-Air Personality/ Program Director - WLLZ-FM 
1995 - 2005 On-Air Personality - WLTI, WDRQ, WVMV & WMGC 


Jim Sotet from WABX and the great Scottish blues/soul/rock singer Frankie Miller. Bob Seger was a big Frankie Miller fan. On the right is our dear pal National Music Consultant Jack Ashton who brought Frankie to meet Bob.

Frankie Miller with Bob Seger

Chuck got his start at the revolutionary underground FM station WABX... ABX was radical for the time. They played full LPs and music with language frowned upon by the establishment and the FCC. They broke the barriers of the TOP 40 AM channels like CKLW and KEENER 13. The on air guys and girls (!!) picked their own music/set lists as well...the prisoners took over the prison!

Chuck left ABX and landed at WWWW (W4) in 1979. It was a rock station then...

Stevie Ray Vaughan 

Their ads featured Godzilla  and cool features such as the "All-Night Album Replay," when the jocks would play several full rock LPs consecutively during a given evening. We loved the "no commercials and little talk".

Ray Charles

The W4 rock format would not extend into the 1980s, however. The change to the country format (nicknamed "W4 Country") alienated some rock listeners, but soon acquired an entirely new  audience. Chuck remained with W4 and crossed over to country where he remains to this day.

Best for last.....Miss Tammy Wynette

In 1980 John Travolta's movie Urban Cowboy came out and it revolutionized country music.  The movie brought country music to young people and a new radio audience was born.  The music of Willie Nelson, Waylon Jennings, Mickey Gilley, Eddie Rabbitt and new stars like Dwight Yoakum and Randy Travis crossed over and appealed to rock fans as well.  

Chuck easily adapted to that format and is still working as program director and on air personality for WSAQ 107 Country. Chuck's great taste in rock music brought a cool sensibility to the new country format. Country did very well in Detroit...so did Chuck..


You can listen live to Q Country 107 WSAQ-FM 


BOOKIES, DETROIT 1979; KENT MYERS NEW GICLEE


BEHIND THE ART "Bookies, Detroit 1979" Is a new drawing by Kent Myers, a rendition of the scene at Detroit's famous early punk rock nightclub (and parking lot) at the height of the era.

ABOUT THE PRINT For a limited time I'm offering this outstanding museum-quality fine art giclee print for sale. Archival to 200 years. Super heavy 100% cotton paper and archival inks. The image is 16 x 24 inches on paper measuring about 20 x 30 inches. Amazing detail and colors. Price includes shipping within the US.


 16” x 24” FINE ART GICLEE $100

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