Legendary Detroit Hard Rockers MADAM X have signed a deal with EMP LABEL GROUP, who will release their long-awaited sophomore release MONSTROCITY on October 31st, (October 27th in EUROPE) on CD and Digital, with a limited edition vinyl release planned for November.
Produced by Madam X at Kevin Sharpe's Metro 37 Studios in Rochester Hills, MI, and Mixed by Michael Wagener (MEGADETH, METALLICA, SKID ROW, OZZY OSBOURNE), with additional mixing by Mark Slaughter, Monstrocity is a hard-hitting classic Metal/Rock record sure to serve as a proper return to form for Madam X, and a kick in the ass for fans old and new.
Formed in 1981 by sisters Roxy and Maxine Petrucci, Madam X recruited bassist Chris “Godzilla” Doliber and vocalist Bret Kaiser, who released their classic, Rick Derringer produced, Jet Records debut WE RESERVE THE RIGHT in 1984, spawning the hit Rock single “High in High School”. 4 years later, after Roxy departed to join future Arena Rock superstars VIXEN, and original vocalist Kaiser was briefly replaced by an unknown Canadian vocalist named Sebastian Bach, Madam X disbanded, and would remain mostly inactive until 2014, when the original lineup reunited at the Sweden Rock Festival.
Fast forward to 2017, when the Petrucci sisters collaborated with vocalist Mark Slaughter on a Lemmy Kilmister tribute track for their VIP AFTERSHOW project, Slaughter who introduced Roxy to EMP LABEL GROUP head of A&R Thom Hazaert, who released a 12” “KILMISTER” single for AFTERSHOW, and the conversation soon shifted to the upcoming MADAM X release.
Says Hazaert, “When I connected with Roxy and we were working on The Aftershow stuff, and she told me they were working on a new MADAM X record, I was extremely excited at the prospect of releasing it. After a brief courtship, we made the decision to put it out together, and I can honestly say I’m still excited. Madam X is such a kickass Rock band, I was always a huge fan of their first record, and to be able to release its follow up over 30 years later is just insane.”
Adds drummer Roxy Petrucci, "Hell may not be pretty but good things will find their way out ! It takes a huge pair of metal balls to sign a band like Madam X, David Ellefson and Thom Hazaert at EMP put their love of metal first, and crushed it by signing Madam X ! Raw and flawed, Monstrocity will be unleashed onto the world in fall 2017 ! Long live Rock n Roll but immortalized in Metal!".
The album features 12 hard-hitting slabs of Rock, including the pummeling title track “Monstrocity”, “Resurrection”, “Nitrous”, and an updated version of their 1984 hit “High In High School.”
The Beatles in Mono: 180-Gram LPs Available September 8, Individually and in a Limited 14-LP Boxed Edition with Hardbound Book.
London – June 12, 2014 – The Beatles in mono: this is how most listeners first heard the group in the 1960s, when mono was the predominant audio format. Up until 1968, each Beatles album was given a unique mono and stereo mix, but the group always regarded the mono as primary. On September 8 (September 9 in North America), The Beatles’ nine U.K. albums, the American-compiled Magical Mystery Tour, and the Mono Masters collection of non-album tracks will be released in mono on 180-gram vinyl LPs with faithfully replicated artwork.
Newly mastered from the analogue master tapes, each album will be available both individually and within a lavish, limited 14-LP boxed edition, The Beatles In Mono, which also includes a 108-page hardbound book.
In an audiophile-minded undertaking, The Beatles' acclaimed mono albums have been newly mastered for vinyl from quarter-inch master tapes at Abbey Road Studios by GRAMMY®-winning engineer Sean Magee and GRAMMY®-winning mastering supervisor Steve Berkowitz.
While The Beatles In Mono CD boxed set released in 2009 was created from digital remasters, for this new vinyl project, Magee and Berkowitz cut the records without using any digital technology. Instead, they employed the same procedures used in the 1960s, guided by the original albums and by detailed transfer notes made by the original cutting engineers.
Working in the same room at Abbey Road where most of The Beatles' albums were initially cut, the pair first dedicated weeks to concentrated listening, fastidiously comparing the master tapes with first pressings of the mono records made in the 1960s. Using a rigorously tested Studer A80 machine to play back the precious tapes, the new vinyl was cut on a 1980s-era VMS80 lathe.
by Paul Cashmere on May 13, 2014
Jack White is doing something different with his new album ‘Lazaretto’. The vinyl edition of the album will play from the inside out.
Not only that the album will feature bonus song underneath the record label that can be played through the paper label.
The album also has two grooves, one featuring an acoustic version and an electric version that merges in the middle of the song to form the one track.
The etching of the vinyl also has a hologram of a floating angel in the disc which you can see when the light is shining on the record while playing at the right angle.
White calls ‘Lazaretto’ the Ultra LP.